Junket

In these over-busy, stress-rich days, what sounds better than a stay at a high-end spa, complete with a much-needed change of scenery, in a warmer, gentler spot? The heroine of this latest story from beloved bestselling author Lauren Groff is offered just that: a few all-expenses-paid days of pampering at an Arizona retreat, far from the colorless cold of late winter in her hometown of Boston. Soon she’s squinting into desert sunlight, a kind of all-encompassing brightness she’s not known in years.

But relaxing is harder than it seems for Groff’s narrator, who, like so many of her unforgettable characters, is thrillingly complex and conflicted. A novelist, she’s been invited to the retreat to bring an air of intellectual sophistication—but only because a “far more famous writer” canceled at the last minute. She hasn’t had a full night’s sleep or written with any enthusiasm in months and is fresh from a breakup. Arriving with her guard up, she quickly becomes ill at ease with the wastefulness-in-the-name-of-luxury she sees around her, the complacency of the other guests—so wealthy she can barely relate to them or them to her—and the New Age spirituality on the overpriced spa menu. And yet something starts working on her. Maybe it’s the jarring beauty of the desert, the response to the reading she gives from her latest book, or even those New Age treatments she’s so suspicious of. Despite herself, her cynicism begins to soften.

And as it does so, she becomes overwhelmed by what she feels—and we are drawn into the existential and psychological terrain that Groff maps with such uncanny skill, providing piercing insight after insight into what it means to live among the twenty-first century’s environmental and socioeconomic crises. In Junket, as with her recent internationally celebrated novel Matrix, she conjures a woman at a crossroads who, rather than surrender to desolation, finds renewed courage and strength via her art, a path to a creative vision all her own, confirming once again that this three-time National Book Award finalist is a master of both the sublime and the subversive.