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The Kesh Temple Hymn
Overview
From Wikipedia:
The Kesh Temple Hymn or Liturgy to Nintud or Liturgy to Nintud on the creation of man and woman is a Sumerian myth, written on clay tablets as early as 2600 BC. Along with the Instructions of Shuruppak, it is the oldest surviving literature in the world.
The hymn is composed of 134 lines, formally divided into eight songs or "houses" or "temples", each of which ends with three rhetorical questions discussing the birth of Nintud's warrior son, Acgi
Lines one to twenty one describe the election and praise of Kesh as recorded by Nisaba, twenty two to forty four liken the temple to the moon against the sky containing the life sources of Sumer and its cosmic dimensions filling the world. Lines forty five to fifty seven give a metaphorical description of the temple reaching both for the heaven and descending into the underworld. Lines fifty eight to seventy three discuss the complexities of the temple with vast quantities of oxen and sheep. The temple is likened to the trees from which wood was used in its construction. The gods and functions of the temple are described and praised during temple dedication with different parts of the temple described: its interior and exterior appearance, its gate, courtyard, door and walls. The hymn ends on the conclusion to approach the temple
An English translation of the original Sumerian can be found here: http://etcsl.orinst.ox.ac.uk/section4...
The Kesh Temple Hymn or Liturgy to Nintud or Liturgy to Nintud on the creation of man and woman is a Sumerian myth, written on clay tablets as early as 2600 BC. Along with the Instructions of Shuruppak, it is the oldest surviving literature in the world.
The hymn is composed of 134 lines, formally divided into eight songs or "houses" or "temples", each of which ends with three rhetorical questions discussing the birth of Nintud's warrior son, Acgi
Lines one to twenty one describe the election and praise of Kesh as recorded by Nisaba, twenty two to forty four liken the temple to the moon against the sky containing the life sources of Sumer and its cosmic dimensions filling the world. Lines forty five to fifty seven give a metaphorical description of the temple reaching both for the heaven and descending into the underworld. Lines fifty eight to seventy three discuss the complexities of the temple with vast quantities of oxen and sheep. The temple is likened to the trees from which wood was used in its construction. The gods and functions of the temple are described and praised during temple dedication with different parts of the temple described: its interior and exterior appearance, its gate, courtyard, door and walls. The hymn ends on the conclusion to approach the temple
An English translation of the original Sumerian can be found here: http://etcsl.orinst.ox.ac.uk/section4...
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Book details & editions
| ISBN | 18322652 |
| Publisher | |
| Publication date | October 2026 |
| Language | SUX |
| Pages | 3 pages |
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